by George Grella There are other conventional places to hear music, conventional in that they specialize in unconventional music. Roulette is the host of the perennially strong Interpretations series, which ended the current season with an unusual, fascinating and complex program of two unique musicians/performers who presented physical poetry and the destruction of digital information. Tomomi Adachi used the instruments of […]

by Brian Olewnick Tomomi Adachi is a boyish looking fellow, a vocalist/electronicist who specializes in a branch of sound-poetry that often incorporates devices worn on his body and clothes and triggered by his movements. He opened last night’s performance with eight pieces, one by Dadaist Hugo Ball, four 1960s works by sound poet Seiichi Niikuni and three self-composed works. […]